“𝐸𝑣𝑒𝑟𝑦 𝑑𝑟𝑒𝑎𝑚𝑒𝑟 𝑘𝑛𝑜𝑤𝑠 𝑡ℎ𝑎𝑡 𝑖𝑡 𝑖𝑠 𝑒𝑛𝑡𝑖𝑟𝑒𝑙𝑦 𝑝𝑜𝑠𝑠𝑖𝑏𝑙𝑒 𝑡𝑜 𝑏𝑒 ℎ𝑜𝑚𝑒𝑠𝑖𝑐𝑘 𝑓𝑜𝑟 𝑎 𝑝𝑙𝑎𝑐𝑒 𝑦𝑜𝑢'𝑣𝑒 𝑛𝑒𝑣𝑒𝑟 𝑏𝑒𝑒𝑛 𝑡𝑜, 𝑝𝑒𝑟ℎ𝑎𝑝𝑠 𝑚𝑜𝑟𝑒 ℎ𝑜𝑚𝑒𝑠𝑖𝑐𝑘 𝑡ℎ𝑎𝑛 𝑓𝑜𝑟 𝑓𝑎𝑚𝑖𝑙𝑖𝑎𝑟 𝑔𝑟𝑜𝑢𝑛𝑑.” - 𝐽𝑢𝑑𝑖𝑡ℎ 𝑇ℎ𝑢𝑟𝑚𝑎𝑛
It’s 1am & I’ve been keeping my eye on the weather forecast for Callendar & Aberfoyle tomorrow. There are yellow warnings in place from the Met Office due to an incoming weather front named ‘Storm Gareth’ - but whilst the wind is to be very strong from the wee hours onward, the rain isn’t to start until early afternoon. I’m hopeful for some really dynamic conditions & I prepare for the journey.
[ S L E E P ]
Now morning, I layer up, fill my flask with strong coffee & set off. I drive North, hitting a squall of nasty weather on the Fenwick moors - but this is normal as you will know if you’ve ever been there, haha! Everywhere else is relatively clear with some interesting formations in the clouds. Once I’ve broken free of the morning traffic heading towards Glasgow, my journey continues smoothly & I reach Aberfoyle in good time. I stop to stretch my legs & to consult my map; deciding to start my days photography at Loch Arklet, just West of Loch Katrine & Ben A’an.
I drive along the beautifully quiet road, lined on both sides by the ancient Caledonian Pine Forest. I fight the urge to stop & explore the woodlands as my time is limited if I want to avoid the inbound storm, though I do make some voice memo’s to remind myself. The road twists & turns as I near my first location & out of nowhere, the enigmatic Arrochar Alps suddenly dominate my view. I’m amazed at just how beautiful the scene is as heavy banks of freezing fog roll swiftly across the snow covered mountain peaks. The peaks themselves are fantastic - sharp, jagged & full of natural character as the light breaks through the thick clouds. Still in awe, I pull in to the side of the road & strap on my bag. I’ve reached my first location;
Location 1. The Abandoned Corriearklet Boathouse - Loch Arklet
After hopping a small fence & scramble across the boggy banks of Loch Arklet I find a promising spot to begin composing my photograph. With the Arrochar Alps forming such an impressive backdrop, the scene simply begs to be photographed! Instead of just jumping in though, I take a moment to study the landscape & contemplate what I want to achieve. Careful consideration is key in moments like this, as it’s too easy to end up with sensory overload which leads to poor photographs. I’d originally planned to make a panoramic if the water was still & glassy - but that isn’t the case now that I’m here.
I decide that I will shoot at 85mm from chest height. This allows me to slightly crop into the scene & really focus on what I want to achieve with the image. I carefully frame the boathouse with the mountains & make use of a simple S-shaped leading line from the waters edge on the right. This divides the frame nicely & leads the eye towards the mountains. I apply a polarising filter to really nail the definition in the water & to sculpt the light on the mountains & a 0.8 soft edged graduated ND filter to add some drama to the clouds & to accentuate the light on the peaks. Once all of this is completed, I check my exposure & boost my ISO to give me a shutter speed of 1/125 whilst shooting at f11. It’s very windy & I’m not leaving anything to chance by shooting at a slower shutter speed.
I make a couple of test exposures & wait for the light to hit the boathouse at the same time that the mountains are relatively clear. The rain comes & goes- but then the light appears & I make my exposure. Moments later, the boathouse is in darkness & the mountains are obscured once more by the fog. Job done!
Leaving my camera set up I make my way back on to the road & make an exposure of the scene that lays before me after setting my focus. Image number two - complete.
Location 2. Rob Roy’s Viewpoint - Inversnaid
My next location lies a short drive along the road. I cross a narrow wooden bridge as I turn off the main road & park the car in a small clearing before setting off up the hill towards the viewpoint. The hike is absolutely wonderful. The trees block any wind & the air is still. The morning rain has left everything vibrant & inspiring, with moss twinkling underfoot like lumps of emerald. There are many little streams cutting through the woodland & the puddles on the path are a rich red ochre due to the peaty earth, lumps of quartz from the hillside lie scattered throughout the trail & it all feels very mystical!
I stomp my way through a peaty bog & then begin to ascend up through the trees, using a natural stairway in the roots & stones to pull my way up through the mud. The ground begins to level out as I pass through a pine archway & up the final couple of meters towards the viewpoint. The wind suddenly hits me like championship boxers right hook as I break through the trees & cast my gaze upon the epic views across Loch Lomond..
With the wind this strong & with the storm now in front of me, I hurriedly set up my tripod, camera & filters. My first photograph is a panoramic view of the Arrochar Alps, comprised of; Ben Narnairn, Creagg Tharsuinn, A’ Chrois, Beinne Ime, Ben Vane, Beinn Dubh & Ben Vorlich with Kenmore Wood framing the bottom of the range. There is a small band of light running through the peaks & this helps to set them out against the dark woodlands & the quickly darkening sky. I make a series of 5 exposures, to be stitched together in my post-processing software whilst weighing down the tripod in the wind.
My second (& last) composition is a wider view of the viewpoint itself. Shooting at 28mm, I compose my image to include the lonely bench & the bare Birch trees in the foreground with Loch Lomond & the rolling hills to the South-West filling out the background. Needless to say, there were no boat tours on the go!
With the wind now severely picking up, I quickly pack away my gear & head back down the hillside to the car. I drive down to the waters edge at Inversnaid Hotel & the rain comes down on me like steel rods as I watch the roaring waterfall ferociously pushing its way into Loch Lomond. I decide against making photographs & retire into the hotel for a cup of coffee & a freshly baked scone by the window instead. By the time I leave, Storm Gareth is in full force, the mountains are no longer visible, the weather is becoming dangerous & I make the decision to (slowly) make my way home.
All in all, I made more photographs than I expected to. I’m very happy that I made the effort to get out there, even with weather warnings in place. It certainly pays to explore in all conditions - even in the face of abject conditions. I often find that my favourite Landscape Photographs are made just before or just after a storm!
Camera & Optics by Sony / Samyang.
Elite Filter System by SRB Photographic.
Tripod by Vanguard Photo.
Bag & inserts by Karrimore UK / Lowepro.
Outdoor Clothing & Boots by Jack Wolfskin / Karrimore UK / Decathlon.
Post Processing performed in Adobe Lightroom & Affinity Photo.
Transport by Land Rover.